Kekuasaan seksualitas dalam cerpen Eka Kurniawan: Analisis Wacana Michel Foucault

  • Sugihartini Permana Universitas Gadjah Mada
DOI: https://doi.org/10.53441/jl.Vol7.Iss2.114
Keywords: Discourse, Michel Foucault, Eka Kurniawan

Abstract

This research aims to analyze the discourse of sexual power in a short story entitled Interpreter of Happiness. This research takes the form of qualitative descriptive. The object of this research is one of Eka Kurniawan's short stories in Eka Kurniawan's short story anthology book entitled "Woman with a Broken Heart Finding love through dreams.” This research uses an approach Michel Foucault's genealogy of power perspective which aims to dissect the relationships and influences that arise from the relations of each discourse of power sexuality in the short story Interpreter of Happiness.

Author Biography

Sugihartini Permana, Universitas Gadjah Mada

This research aims to analyze the discourse of sexual power in a short story entitled Interpreter of Happiness. This research takes the form of qualitative descriptive. The object of this research is one of Eka Kurniawan's short stories in Eka Kurniawan's short story anthology book entitled "Woman with a Broken Heart Finding love through dreams.” This research uses an approach Michel Foucault's genealogy of power perspective which aims to dissect the relationships and influences that arise from the relations of each discourse of power sexuality in the short story Interpreter of Happiness.

Published
2024-07-07
How to Cite
[1]
S. Permana, “Kekuasaan seksualitas dalam cerpen Eka Kurniawan: Analisis Wacana Michel Foucault ”, Lazuardi, vol. 7, no. 2, pp. 50-58, Jul. 2024.
Issue
Vol 7 No 2 (2024): Vol 7 No 2 (2024): JURNAL LAZUARDI EDISI XIII BULAN JUNI
Section
Jurnal Lazuardi

Copyright (c) 2024 Jurnal Lazuardi

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Copyright is protected by Law Number 28 of 2004 concerning Copyright, that Copyright is the exclusive right of the creator which arises automatically based on declarative principles after a work is manifested in a tangible form without reducing restrictions in accordance with the provisions of laws and regulations.